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The Influence of single harmonics or formants on timbre color perception
Klimeš, Martin ; Indrák, Michal (referee) ; Jirásek, Ondřej (advisor)
This thesis is dealing with the research of the influence of individual harmonic on the perception of sound color. An application was created with a questionnaire in which respondents assessed a total of 29 samples on different bipolar scales.The samples were either modeled by additive synthesis or created by modifying musical instruments. The aim was to investigate how and what combinations of higher harmonic affect the perception of sound color. The experiment is based on the semantic differential method. The samples were divided into several groups and within these groups they were compared and related to the expected color perception.
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Analysis of pitch perception depending on the spectrum
Slávik, Martin ; Indrák, Michal (referee) ; Jirásek, Ondřej (advisor)
This thesis is dealing with the research of the influence of individual harmonic components on the perception of sound height. As a part of the work has been made an internet questionnaire on a web address www.analyzavyšek.9e.cz, where individual respondents completed listening test compound of 46 samples. This experiment is based on semantic differential method. Individual samples are compound of sine wave – tone and examined sample, which respondents evaluates on three bipolar scales. The samples were either modelled by additive synthesis or modified sampled sounds of instruments. Individual samples were divided to four major groups and other minor groups for clarity. The purpose was to find which parts, combinations and harmonic components of sound and tone can affect perception of tone height.
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Effect amplifier for electric guitar
Kočiš, Martin ; Brančík, Lubomír (referee) ; Kratochvíl, Tomáš (advisor)
In the first chapter, the thesis concisely describes perception of harmonic frequency components by human ear. The second chapter introduces the reader into purpose of guitar effects and summary of usual types, which is possible to meet on the market. The third chapter contains functional description of chosen effects including designed schematics and simulations of functionality in time and frequency domain, eventually unrealized solution. The device contains input highpass filter with emitter follower, booster, overdrive and clean amplifier, circuit for octave-up frequency shift, delay line, output emitter follower with lowpass filter and power supply for all these circuits. Selection of the effects and its controls was subordinated especially to use in alternative rock music. The design is based on simulations executed using OrCAD PSpice. The realization process and the measurement is described in the fourth chapter and the last chapter contains conclusion of the project.
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Analysis of pitch perception depending on the spectrum
Slávik, Martin ; Indrák, Michal (referee) ; Jirásek, Ondřej (advisor)
This thesis is dealing with the research of the influence of individual harmonic components on the perception of sound height. As a part of the work has been made an internet questionnaire on a web address www.analyzavyšek.9e.cz, where individual respondents completed listening test compound of 46 samples. This experiment is based on semantic differential method. Individual samples are compound of sine wave – tone and examined sample, which respondents evaluates on three bipolar scales. The samples were either modelled by additive synthesis or modified sampled sounds of instruments. Individual samples were divided to four major groups and other minor groups for clarity. The purpose was to find which parts, combinations and harmonic components of sound and tone can affect perception of tone height.
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The Influence of single harmonics or formants on timbre color perception
Klimeš, Martin ; Indrák, Michal (referee) ; Jirásek, Ondřej (advisor)
This thesis is dealing with the research of the influence of individual harmonic on the perception of sound color. An application was created with a questionnaire in which respondents assessed a total of 29 samples on different bipolar scales.The samples were either modeled by additive synthesis or created by modifying musical instruments. The aim was to investigate how and what combinations of higher harmonic affect the perception of sound color. The experiment is based on the semantic differential method. The samples were divided into several groups and within these groups they were compared and related to the expected color perception.
|
|
|
Effect amplifier for electric guitar
Kočiš, Martin ; Brančík, Lubomír (referee) ; Kratochvíl, Tomáš (advisor)
In the first chapter, the thesis concisely describes perception of harmonic frequency components by human ear. The second chapter introduces the reader into purpose of guitar effects and summary of usual types, which is possible to meet on the market. The third chapter contains functional description of chosen effects including designed schematics and simulations of functionality in time and frequency domain, eventually unrealized solution. The device contains input highpass filter with emitter follower, booster, overdrive and clean amplifier, circuit for octave-up frequency shift, delay line, output emitter follower with lowpass filter and power supply for all these circuits. Selection of the effects and its controls was subordinated especially to use in alternative rock music. The design is based on simulations executed using OrCAD PSpice. The realization process and the measurement is described in the fourth chapter and the last chapter contains conclusion of the project.
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